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You can see the big influence Sam Peckinpah's The Wild Bunch (1969) had on this film through the social commentary, the comraderie between the men as well as the violent slow motion action sequences (featuring tons of bloodspurting gunshot wounds) which are really well done. As soon as the gang arrive they are briefed on their secret mission by the main man in charge: Captain Jackson (Bernie Hamilton). The rest of the gang is rounded out by Duke ( Adam Roarke), Limpy (Paul Koslo), Dirty Denny (Houston Savage) and Speed (Gene Cornelius). They are The Devil's Advocates, a tough rowdy bunch of freaks headed by Link Thomas ( William Smith). ( Wikipedia)Ī group of ex-veteran bikers from the United States have been brought into Cambodia on a secret mission to rescue a CIA operative that has been captured by the Red Chinese Army. Look for an appearance by the real Hell's Angels at the beginning of the movie. Much of the story that follows consists of scenes of the Angels partying or being provoked to violence by "squares." Eventually, Buddy's girlfriend succeeds in provoking a confrontation between Buddy and Poet with only one surviving. He is attracted to Buddy's some-time girlfriend (Sabrina Scharf) who toys with him while remaining hopelessly committed to Buddy. Poet is allowed to ride with the Angels and is eventually elevated to "prospect" status. In the meantime, he's welcome to ride with them while they take care of business-which turns out to be going to a bar and beating up the members of another club who previously beat an Angel. "When a non-Angel hits an Angel, all Angels retaliate." But the leader of the Angels, Buddy ( Adam Roarke), intervenes and tells Poet that the Angels will replace the headlight. This is an act that would traditionally result in every Angel present participating in a group beating of the attacker. Poet, with far more guts than brains, challenges the Angel that hit his motorcycle. The Angels first take note of "Poet" ( Jack Nicholson) after one of them inadvertently damages his motorcycle and breaks its headlight. It also featured a supercool fuzzed out rock and roll score by Davie Allan and the Arrows.
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This film was particularly groundbreaking in its depiction of the Vietnam era anti-establishment attitudes of the day. This leads Blues, his faithful girlfriend Mike (Nancy Sinatra) and The Losers' old lady Gaysh (Diane Ladd) to set up a plan to bust Loser out of the hospital before he’s thrown in jail by the pigs. The two factions get in a rumble after which the cops chase The Loser (who takes off on one of their bikes) and end up shooting him. Blues, his best friend The Loser ( Bruce Dern) and the other members confront a group of Mexicans for stealing one of their bikes. Peter Fonda plays Heavenly Blues, the head of the Venice California chapter of the Hell's Angels. Corman did not like it and later gave it to Peter Bogdanovich to rewrite.
ZOMBIE BIKER MOVIE MOVIE
Griffith's first draft was a near-silent movie which contrasted the bikers with the story of a police motorcycle cop. They approached Roger Corman, who hired Charles B. American International Pictures became interested in making a film about the Hell's Angels after seeing a photo on the cover of Life magazine for a biker funeral. If The Wild One was the film that gave birth to the biker gang genre, this 1966 production was the spark that ignited the fire to the massive wave of biker films that would come out in the late 60s and 70s. Hell's Angels on Reels: Classic Biker Films.To pay tribute to all the Wild Riders of cinema we love, GCDb has picked out 10 of our favorite bigger than life classic biker B-movies. The roving bands of badass papas and mamas brought their own kind of outrageous counterculture escapism to the silver screen and it was met with much fanfare. While the humdrum hippies of the era promoted peace and love, the boisterous bikers seemed to be all about anarchy and mayhem. The anti-hero bikers fought the Fuzz, brawled in bars, drank in droves and got high as hell as they rode the open roads on their hot steel hogs. The films delivered all kinds of thrills while taking viewers on wild adventures with the rambunctious gangs of cycle savages who lived life on their own terms. These movies told stories of modern rebels and outlaws who roared across the country on two wheels instead of on the backs of four legged beasts. They were essentially a reinvention of all the Westerns that moviegoers loved made for a new generation. During the late 60s and early 70s, biker films became one of the most popular staples for drive-ins and grindhouses.
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